FRANK GEHRY STATIONMy first introduction to architect Frank Gehry was in 1996, the year that he completed the Dancing House in Prague, a collaborative project with Vlado Milunic. Over the years his creative vision has continued to captured my eye, t…

FRANK GEHRY STATION

My first introduction to architect Frank Gehry was in 1996, the year that he completed the Dancing House in Prague, a collaborative project with Vlado Milunic. Over the years his creative vision has continued to captured my eye, this time in Paris and his Louis Vuitton Museum. Here, his prowess of technological innovation reinterpreted as Space Station Vuitton.... "on dark side of the moon".

IMMORTELLEStrikingly contemporary as they are expressive, the poetic yet powerful sensibility of these images that the artist compares to the writings of "Lost Love Letters" are charged with their own individual emotion and where once again, the dis…

IMMORTELLE

Strikingly contemporary as they are expressive, the poetic yet powerful sensibility of these images that the artist compares to the writings of "Lost Love Letters" are charged with their own individual emotion and where once again, the distinction of color and depth of field play a vital factor.

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Pairs 1.jpg
 
ELLEPortrayed with sharp wit and elegance, these images of leave no room for doubt. The intense and opulent color and the sensuous signature lines are unmistakable. This is a series of singular vision. The artist has cleverly translated, with no unc…

ELLE

Portrayed with sharp wit and elegance, these images of leave no room for doubt. The intense and opulent color and the sensuous signature lines are unmistakable. This is a series of singular vision. The artist has cleverly translated, with no uncertainty, the fascination that is and belongs to devotees of one of the most beautiful cars in the world.
Catalog Excerpt: Galerie d'Arts Contemporains

On first viewing the paintings and graphic works in this exhibition of Carla de Livry, one is struck by a sense of vertigo, certainly attributed to the sensation that arises from an up close proximity of elegant and sensual forms of the power-driven…

On first viewing the paintings and graphic works in this exhibition of Carla de Livry, one is struck by a sense of vertigo, certainly attributed to the sensation that arises from an up close proximity of elegant and sensual forms of the power-driven Formula 1 beasts of asphalt in feminine guise. Modulations of movement, stimulated by line and color, reiterate the dynamism of these vehicles and unite the theme of speed, tracing, should we be misled, the atmosphere associated with automobile racing. 
Excerpt: Vie des Arts Magazine

 

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